Monthly Archives: August 2020

disCONNECT – Street Artists Indoors

DisCONNECT

South London

24 July – 24 August 2020

10 artists, mainly street artists, were invited to make over a house in South London and use any of the relics found in there before the new owners undertook a refurbishment. Covid-19 threw a spanner in the works though, so several of the artists incorporate a sense of the pandemic in their pieces and 6 of the artists being based overseas had to make and install their work using skype, like scientists cautiously tweaking the location of the reactor rods by remote cctv.

The art world is not providing too much in the way of real life excitement these days and while one should never confuse the art world with the real world, nor the street art world, it was a pleasure to experience disCONNECT for real just before it closes this week.

Herakut (Ger) – Nursery

Legendary trainyard graff snapper Alex Fakso specialises in candid portraiture, his 2012 “Santa in Camo” show in Kensal Rise indicated a quite idiosyncratic approach to subject as did his 2017 Moniker contribution. Followers of my instagram account may recall that on a tour 2 weeks ago we bumped into Alex Fakso creating a graffiti painting and photo paste up hybrid on a railway bridge. On this installation crowds in the photos rush towards the viewer in a way that feels horrifyingly alien in these public-gathering avoiding socially distanced coronavirus times.

Alex Fakso (Italy, living UK)

Alex Fakso (Italy, living UK)

Seeing Zoerism’s geometric and intricate graffiti on the streets is a rare pleasure and his anamorphic experience echoed that hugely detailed style. Anamorphic images are designed to be viewed from one spot and look a bit skew-whiff from any other, this image was installed flat on the floor and up against the wall creating this impressive 3D “trick of the eye”.

Zoer (Italy)

Herakut’s fusion of photorealism and spindly elfin characters in Davy Crockett hats shouldn’t work but looks awesome. You are invited to sit for a selfie with the monkey in the nursery – if your chess game is up to scratch. The kids in the playroom have painted child-like drawings on the nursery walls, credited to a 7 year old Ryker.

Herakut (Ger) – Nursery

A double set of doors and a single door were shipped to Portugal for Vhils to work his magic, a refreshing reminder of his talent for “discovered texture” portraiture. His mining into layers of adverts to reveal portraits works superbly where it belongs, out on the streets but it’s a bit of a puzzle why having an implausibly deep block of compressed billboard adverts would work indoors.

Vhils (Portugal) in the library

The dark entrance lobby was made over by a collection of Mr Cenz’ cosmic ladies, UV light brought sharpness to the highlights that define the outline of the faces, an effect we love to play with when photographing his portraits out on the streets. Unfortunately we failed to take any photos in the lobby though the effect can be vaguely appreciated in this mercifully brief video snippet.

In lockdown Aida Wilde railed against the reckless anti social behaviour of people ignoring the social distancing, lockdown stay-the-fuck-away guidance. Her “Granny alley” installation in the most challenging room in the house distills a lot of that passion and anger into blocks of text and her emoji infused pseudo-flock wallpaper.

Aida Wilde – Granny Alley aka “the smallest room”

Aida Wilde – Granny Alley aka “the smallest room”

After years of vicariously enjoying Icy and Sot’s art finally we saw a piece in real life. The dining table apparently came from the kitchen, in which case it must have been a relic from the downstairs kitchen many years ago. The beautifully conceived and executed articulated plates and cutlery apparently represent capitalism with the extension leaves up and a full plate on the table. With the extension down symbolised socialism, in which case this neither-up-nor-down configuration pretty much sums up post-Corbyn Labour.

Icy and Sot (Iran) in the kitchen

Issac Cordal’s morose concrete figures endured this Summer’s monsoon in the garden and just about maintained their social distance in a gloomy basement.

Isaac Cordal (Spain)

Isaac Cordal (Spain)

Isaac Cordal (Spain)

Flock was evidently in vogue when the house was last given a decor update as the pattern recurs in several of the installations. Adam Neate bid for the window blinds and the colour and texture makes a great skin motif in his ghostly portraiture.

Adam Neate (UK – living Brazil), stairwell

This show exceeded expectation, though that says more about our expectations than the artists involved. The unbalanced capitalisation of the show title exhorts to us to somehow re-connect in these desperate times where isolation is salvation and this show is worth connecting with. Time is running out though and indeed thanks to covid restrictions tickets are very limited.

All photos & video: Dave Stuart

Covid 19 Shoreditch Street Art

You didn’t think a killer virus was going to stop street artists did you? Shoreditch witnessed an outpouring of street art addressing the Covid 19 pandemic and its surrounding issues from a number of angles. It’s amazing what a street artist could achieve with that one hour outdoor exercise license non-shielding people had during lockdown.

One of the most prolific artists was Nathan Bowen whose suitably masked characters appeared all over from West to East.

“Stay Positive/The NHS Warrior” – Nathan Bowen

“Thanks NHS” – Nathan Bowen, Harry Blackmore; Oxford St

Nathan Bowen, Harry Blackmore, Ernest Obi – Shaftesbury Avenue

Almost as active as Nathan were Deanio X and Seen K26, often in the company of Tasnim Mahdy

Stay Strong – Deanio X, Seen K26, Tasnim Mahdy

“Stay Strong” – Deanio X, Seen K26, Tasnim Mahdy; Picadilly Circus

“Stay Strong Key Workers” Deanio X, Soho

Our weekly clap for carers, which was a beautiful collective thank you, has stopped but it is clear that many street artists remain grateful on our behalf to the NHS, to the carers and other key workers.

“A quiet prayer holds over London…” We Love Our NHS – Robert Montgomery

Thank You NHS – Jimmy C

Is it just me sees concentric stained glass hearts in shades of NHS blue in this homage by DRT?

DRT (with Nathan Bowen & Co. in background)

Graffiti Life

On the flipside from the love for the NHS comes blame flinging and conspiracy theory. The UK’s elected political masters and their un-elected advisers repeatedly preached one thing but practiced another to the point that anyone else would have felt embarrassed by. Street artists can be quite merciless when political hypocrisy becomes apparent and they proved yet again how swiftly street art can respond to current affairs.

In some countries the political response was based on denial or even deceit, Subdude latches on to those moments quite brilliantly.

Corona Credit Score = 0, Subdude

On the revelation that the NHS workers Boris thanked for his care in St Thomas’ Hospital were immigrants who now under the conservative government’s mooted minimum wage threshold would not qualify to come and lend their skills to the UK’s underfunded understaffed health service:

So How DO You Like Us Now Boris, Subdude

If you need to know what “Dominic Does Durham” is pastiching, ask your Dad

Dominic Does Durham, Subdude

The early days of the UK response to the Covid crisis were characterised by simple clear messages and this apparent clarity was reflected in the referencing of the messages in the art. K-Guy found the graphic design and linguistic shorthand of those official three stanza instructions we saw on the podiums at the daily Coronavirus press conference in England lent itself to highlighting political neglect as an amplifier of the spread and impact of the disease through hospitals and care homes.

It’s A Testing Time, K-Guy

“Infected frontline policies”, K-Guy

“Intensive Don’t Care”, K-Guy

The surprising move to abandon testing and tracing and the awful situation regarding inadequate PPE provision featured in several pieces. Frankie Riot references the famous press conference where World Health Organisation head Tedros Adhanom Ghebreyesus offered the simple “Test, test, test” which many developed countries decided to ignore with pretty devastating consequences.

Protect NHS Workers – Frank Riot

China again:

Covid Eau de Virus – ‘Orrible

Stay Safe, Remain Free – Artist Not Known

As Shoreditch Street Art Tours has emerged from lockdown doing very small private street art tours for the same price as the public tours, just so you know, the single piece of pandemic art everyone appears to be aware of is, not surprisingly, Banksy‘s nurse superhero painting on canvas “Game Changer”, donated to Southampton General Hospital.

“Game Changer” – Banksy, Photo: Banksy website

Banksy has done three pandemic related artworks: the aforementioned “Game Changer”; his earlier skit on the idea of the elusive rat stencilist working from home and most recently his brilliant makeover of a London tube with rascal rats parachuting with PPE face masks, rats tagging with sanitiser gel and rats sneezing all over the carriage in a lurid echo of the animation played frequently on the UK TV of the dispersal of vapourised snot from a sneeze in a train carriage.

Snot rat, Banksy

You don’t mask you don’t get – Banksy

You don’t mask you don’t get – Banksy

Among all the inspired pandemic related art and the positivity towards those who placed themselves in way of potential harm for our care, one artist was creating pro NHS art years before it became fashionable. Ben Wakeling recovered from his own mental health issues to channel his efforts into art as a therapy for people with mental health issues and his therapeutic work and his Outsider Gallery have proved so effective that his art therapy can now be prescribed by GPs.

To end this lockdown lookback on a positive note, could any message be more appropriate than Mark Titchner’s “Please believe these days will pass” plea. Let’s hope the optimism is well founded.