Tag Archives: Banksy

Covid 19 Shoreditch Street Art

You didn’t think a killer virus was going to stop street artists did you? Shoreditch witnessed an outpouring of street art addressing the Covid 19 pandemic and its surrounding issues from a number of angles. It’s amazing what a street artist could achieve with that one hour outdoor exercise license non-shielding people had during lockdown.

One of the most prolific artists was Nathan Bowen whose suitably masked characters appeared all over from West to East.

“Stay Positive/The NHS Warrior” – Nathan Bowen

“Thanks NHS” – Nathan Bowen, Harry Blackmore; Oxford St

Nathan Bowen, Harry Blackmore, Ernest Obi – Shaftesbury Avenue

Almost as active as Nathan were Deanio X and Seen K26, often in the company of Tasnim Mahdy

Stay Strong – Deanio X, Seen K26, Tasnim Mahdy

“Stay Strong” – Deanio X, Seen K26, Tasnim Mahdy; Picadilly Circus

Deanio X, Soho

Our weekly clap for carers, which was a beautiful collective thank you, has stopped but it is clear that many street artists remain grateful on our behalf to the NHS, to the carers and other key workers.

“A quiet prayer holds over London…” We Love Our NHS – Robert Montgomery

Thank You NHS – Jimmy C

Is it just me sees concentric stained glass hearts in shades of NHS blue in this homage by DRT?

DRT (with Nathan Bowen & Co. in background)

Graffiti Life

On the flipside from the love for the NHS comes blame flinging and conspiracy theory. The UK’s elected political masters and their un-elected advisers repeatedly preached one thing but practiced another to the point that anyone else would have felt embarrassed by. Street artists can be quite merciless when political hypocrisy becomes apparent and they proved yet again how swiftly street art can respond to current affairs.

In some countries the political response was based on denial or even deceit, Subdude latches on to those moments quite brilliantly.

Corona Credit Score = 0, Subdude

On the revelation that the NHS workers Boris thanked for his care in St Thomas’ Hospital were immigrants who now under the conservative government’s mooted minimum wage threshold would not qualify to come and lend their skills to the UK’s underfunded understaffed health service:

So How DO You Like Us Now Boris, Subdude

If you need to know what “Dominic Does Durham” is pastiching, ask your Dad

Dominic Does Durham, Subdude

The early days of the UK response to the Covid crisis were characterised by simple clear messages and this apparent clarity was reflected in the referencing of the messages in the art. K-Guy found the graphic design and linguistic shorthand of those official three stanza instructions we saw on the podiums at the daily Coronavirus press conference in England lent itself to highlighting political neglect as an amplifier of the spread and impact of the disease through hospitals and care homes.

It’s A Testing Time, K-Guy

“Infected frontline policies”, K-Guy

“Intensive Don’t Care”, K-Guy

The surprising move to abandon testing and tracing and the awful situation regarding inadequate PPE provision featured in several pieces. Frankie Riot references the famous press conference where World Health Organisation head Tedros Adhanom Ghebreyesus offered the simple “Test, test, test” which many developed countries decided to ignore with pretty devastating consequences.

Protect NHS Workers – Frank Riot

China again:

Covid Eau de Virus – ‘Orrible

Stay Safe, Remain Free – Artist Not Known

As Shoreditch Street Art Tours has emerged from lockdown doing very small private street art tours for the same price as the public tours, just so you know, the single piece of pandemic art everyone appears to be aware of is, not surprisingly, Banksy‘s nurse superhero painting on canvas “Game Changer”, donated to Southampton General Hospital.

“Game Changer” – Banksy, Photo: Banksy website

Banksy has done three pandemic related artworks: the aforementioned “Game Changer”; his earlier skit on the idea of the elusive rat stencilist working from home and most recently his brilliant makeover of a London tube with rascal rats parachuting with PPE face masks, rats tagging with sanitiser gel and rats sneezing all over the carriage in a lurid echo of the animation played frequently on the UK TV of the dispersal of vapourised snot from a sneeze in a train carriage.

Snot rat, Banksy

You don’t mask you don’t get – Banksy

You don’t mask you don’t get – Banksy

Among all the inspired pandemic related art and the positivity towards those who placed themselves in way of potential harm for our care, one artist was creating pro NHS art years before it became fashionable. Ben Wakeling recovered from his own mental health issues to channel his efforts into art as a therapy for people with mental health issues and his therapeutic work and his Outsider Gallery have proved so effective that his art therapy can now be prescribed by GPs.

To end this lockdown lookback on a positive note, could any message be more appropriate than Mark Titchner’s “Please believe these days will pass” plea. Let’s hope the optimism is well founded.

“Please believe these days will pass” – Mark Titchner

Artist Links (additional):

All photos: Dave Stuart except courtesy Banksy where noted

Diggin In The Archives 1

Two weeks ago today I received a text message from the NHS telling me I had to isolate, though I had actually gone into a self imposed lockdown a week earlier when I returned from my Father’s funeral in Ireland. On a daily basis I have been digging through the photo archives and posting some older gems with a few thoughts on why I had picked them. This is a compendium of the first two weeks worth.

This first photo I captioned “When dumpster diving goes wrong.” but it was about combining street art with found surreal elements, also the strong colours complemented the colour of Gianni Lee’s character outside Cargo.

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Gianni Lee, Mar 2019

Sweet Toof, Rowdy and Knapple shenanigans last year, check their instas for a dose of artistic positivity . This photo reveals the scale of this collab which perhaps isn’t so apparent when you view it from street level. Also, light as candyfloss as Knapple is, impressive piggy back stamina from da Toof geezer.

Knapple, Rowdy, Sweet Toof, January 2019

In 2009 David Choe dropped a heap of awesome stuff in London, I only found out [last week] that the guy spraypainting the underpass from the passenger seat of a moving car in the opening montage of Exit Through The Gift Shop is David Choe.

David Choe, Nov 2009

Own that intrigue. Street art stimulates passers by in a way that adverts don’t. People notice. Circles by L’Enfant, figure by David David, tile by Nathan Bowen, calligraphy (aka tag) YAS21. This is the Old Truman Brewery wall that now is a canvas for Shepard Fairey’s Shadowplay mural.

L’Enfant, David David, Nathan Bowen, Yas21, 2018

Although captioned “Give Us A bite”, I will confess that in 2011 I captioned this street photography style picture of Stik’s family group “Who Ate All The Pies”.

“Give Us A Bite”, Stik, 2009

Of all the weird, wonderful, beautiful, clever and funny stuff that appeared on Cargo’s walls, this by Bortusk Leer has to be the wackiest! Anyone else remember his kid’s tv series?

Bortusk Leer, 2009

A squadron of Banksy Happy Choppers on Holywell Row, Shoreditch, there is a better photo by Steve Lazarides in his “Banksy Captured” book.

Banksy, 2006

Escif got a lot of coverage in the past week for his spectacular sculpture in Valencia which was torched as part of the Fallas celebrations, though with Spain in lockdown few got to see it actually live. In 2010 Escif had a show at Pictures On Walls in that period when it was welcoming folk in off the street, as opposed to the “by apppointment only” fortress it had been in its Scrutton St and Willow St days. These are POW’s shutters painted by Escif with Petro on window dressing detail.

Escif, also feat Petro, 2010

Elbow Toe had a stunning installation at the urban art epicentre The Leonard St Gallery. He visited London more than once in that era. He commented to me at the time that getting up in London felt so chilled compared to NY. This piece if I recall correct was a representation of his wife. 2007.

Elbow Toe, 2007

This context photo also features then Shoreditch based artist Jawa, and Mudwig is a small puce apparently but the many faults of Mudwig were regularly discussed on walls in those days.

Elbow Toe feat Jawa and Mudwig, 2007

Burning Candy owned the East End. Sweet Toof and Cyclops went large here on the plot opposite where CitizenM stands today, before the North London line curved past that building. Back of Chariots for those familiar with that landmark. Also features SNOE TRP, EINE and REAK.

Burning Candy, Snoe, Eine, Reak et al 2007

If you are going to admire someone else’s genius, nothing says “wow” quite as much as having your art admire theirs. Pure Evil’s Pearly Kings express what the rest of us thought of Swoon’s 2007 amazing filigree paste up on Coronet St. Also features Jef Aerosol looking pretty hyper and The Krah. This wall used to host some great street art. Street art photography companion Howaboutno and I always disagreed on whether you should clear shit and rubbish out of photos.

Swoon, Pure Evil, Jef Aerosol, The Krah, photo 2008

Judith Supine from NY made surreal psychedelic art which really paid attention to its surroundings, location was everything. This one is by the entrance to the long lost iconic Dragon Bar. Such a shame we don’t get visits from Judith Supine any more.

Judith Supine, 2007

Nurses and doctors are the front line, they are performing heroics without thought of their own safety and in the face of apparent shortages of safety equipment that would render their service less fraught with risk. It is saddening to hear just now (when first posted to Instagram) of two nurses in the UK who have passed away after treating patients affected by COVID-19. Both were mothers of 3. My thoughts are with the family. This piece by Stik now seems sadly prophetic.

Stik, 2009

Roa had been dropping an amazing menagerie of dishevelled creatures in Shoreditch since 2009 but this gate in 2012 kicked thing up another level in terms of making visible a degree of gore which characterised man’s relationship with his fellow creatures. If it was shocking then, you hadn’t been paying attention. Also, this was one of his less long lived London pieces and is correspondingly less well known.

ROA, 2012

Damn tourists getting in the group portrait, Suriani’s dramatic pasteups made great photos.

Suriani, 2009

Standby for more blasts from the past for as long the shutdown prevents my return to work.

Art credits and links are by each photo. All photos: Dave Stuart

A Decade of Genius Street Art

As we start a new decade a review of a tiny amount of the amazing street art witnessed in the past decade seemed appropriate.

A Bun In Their Hair, ALO, Shoreditch 2014

Here is a slide show of a number of the images that made the final review of the “wild Wonderous and Inventive” art, which is a rather vague way of saying “stuff that wasn’t mentioned in our mural, sculptural or political street art reviews.

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The only way to bring to a close this dredging up of our favourite specimens of wild outdoor art is to look back at what Banksy has been up to. Although Banksy produced far less street art in the past decade than in the noughties, on almost all respects other than quantity he continues to be the most important, brilliant and relevant artist in whatever field he chooses.

Banksy Dismaland, 2015

Banksy’s Better In Than Out in New York saw a month long treasure hunt – “hide and seek” combo which cast Banksy as Bonnie And Clyde against the NY mayor, police and press and the world watched with glee but we already knew Banksy would never be caught.

Better Out Than IN, Banksy, New York, photo LunaPark

He also had a major art triumph staging a group shop with a conscience at Dismaland though we already knew Banksy did extraordinary exhibition/experience fusion.

Dismaland, Banksy, Weston Super Mare, 2015

He created a huge mural in Dover in 2017 but we already knew Brexit was a stupid idea.

Banksy, Dover 2017

My favourite Banksy of the decade however was his Les Miserables in Knightsbridge, London’s embassy land.

Tear gassed Cosette, Banksy, Knightsbridge London, 2016

It has the Banksy signature elements, it had the cleverness in repurposing the iconic image of Cosette, it had the impact in terms of global exposure, right opposite the French embassy it combined perfect placement with the “wow, how did he get away with that.” factor.

We did not however know about the French police tear gassing migrant families in the camps in Calais and this was Banksy’s crowning achievement, bringing that shameful episode to wider international attention.

Cosette v French embassy, Banksy, Knightsbridge London, 2016

This selection of photos a part of the selection reviewed and discussed on the Graffoto blog post 2010 – 2019 Wild Wonderous Inventive Street Art

All photos Dave Stuart except LunaPark where noted

It has been a huge pleasure to write 5 reviews of the street art of the past decade which we personally enjoyed. The Links to those reviews are at the bottom of the Graffoto review. A specific review of the street art of 2019 might appear shortly.

A Decade Of Political Street Art

The third of our series reflecting on the street art we have enjoyed over the past 10 years looked at the street art that appeared on our streets.

Banksy had a lot to contribute politically over the past decade of course.

Banksy, Brexit, Dover

Much of the art was done without permission though there were the occasional huge campaigning murals.

Dave The Chimp – Education Is Not A Crime

Here is a slide show showing the photos that we pulled out of our archives, the full descriptive text about the political street art is on Graffoto, our other blog

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Street Art, review, 2010s, Graffoto.co.uk, street art tours, tour guide, political street art, Banksy, Cept, EINE, Bambi, subdued, Tom Blackford, CodeFC, Uberfubs, Extinction Rebellion

Banksy – If Graffiti Changed Anything, It Would Be Illegal, London 2011

Part 1 of the Decade 2010 reviews looked at where Street Art was in 2020: here

Part 2 was a look back at spectacular murals: here

All photos: Dave Stuart, principal guide and founder, Shoreditch Street Art Tours

A Decade On – King Robbo

Christmas Day 10 years ago the notorious Robbo vs Banksy spat went to another level. Robbo, RIP, headed out very early Christmas morning, crossed the Regents Canal at Camden directly under British Transport Police HQ and painted the perfect riposte to Banksy’s Wallpaperer.

Banksy, Robbo, feud, Banksy v Robbo, Street art, Graffiti, London, Shoreditch, Camden, Pure Evil Gallery, tour, tour guide

25th December 2019 KING ROBBO!

Early that Christmas morning I noticed a photograph on Flickr of Robbo’s new iteration of this piece posted by Robbo’s WRH crew mate Doze. The genius was immediately apparent from that photo. I whizzed straight down to the canal, took some photos and “Banksy vs Robbo WRH, WD – Checkmate” was posted online before Christmas lunch was served. It remains to this day the most read post on Graffoto.

Before Robbo’s Christmas morning adventure, the art on the wall consisted of a workman by Banksy wallpapering over some graffiti, which was actually over an ancient Robbo piece.

Banksy Wallpaperer, 19th December 2019

For context, Banksy vs Robbo was an intense feud with ancient origins but for roughly a 6 month period it raged spectacularly at several locations along Regents Canal in Camden as each artist attacked the other’s art with a succession of insults.

“It’s tongue in cheek, it’s all a laugh, it’s a giggle” Robbo told Graffoto about 10 months later when we met for a beery one on one unpublished interview in his local near Kings Cross. Robbo also said in reference to the art Banksy was producing at the time “A couple of things I like, the graffiti wallpaper, that was a good piece, so was the global warming, that was a good piece. I appreciate art, I’m an artist. I’m a graffiti artist that’s my main flag but I am an artist”

Robbo exhibition opening night, Pure Evil Gallery, Sep 2010

Robbo mentioned how he didn’t have much to do with social media so his mate put up the photo on Flickr, then early afternoon Robbo received a call to tell him the piece had already been picked up by a blog. Robbo said some kind and appreciative things about the Graffoto coverage so on the 10th anniversary of that event it is a pleasure to remember that exciting piece of art.

Robbo RIP, Tribute by Adnate (Aus) in Shoreditch. Sep 2014

Graffoto Christmas Day 2009: “Banksy v. Robbo – Checkmate”

All photos: Dave Stuart

Banksy Solo Show in Croydon

For two weeks in October I was exhorting everyone who did our street art tour to make a short trip to Croydon to check out Banksy’s first UK solo show since 2009 and I got feedback from several people who did.

Banksy created a real world store with items from various departments arranged in a shop window display.

Gross Domestic Product

Here are a few of my favourites.

Welcome Mat, in support of “Love Welcomes” (details in Graffoto post)

Rat Clocks

As soon as it closed its shop window display Gross domestic Product opened an online store selling some of the displayed range.

Early Learning Centre Counting Set

Banksy was very keen that a cross section nof the goods be available at affordable prices to ordinary people, so the sales process depending upon fans applying to buy one piece, then waiting to see if they got luck in what appears to be partially a draw and partially “complete this sentence 12 words or fewer” kind of tie breaker. At the time of writing I am desperately clinging to the hope that those emails have not yet been sent out.

Duck and Cover

On Graffoto, we have a comprehensive photographic survey and appraisal of the items Banksy displayed as well as his motives, check that out HERE

All photos: Dave Stuart

Banksy Painting at Sothebys

Banksy’s most spectacular painting to date is on display at Sotheby’s Bond St, London HQ and beautifully staged it is too.

Devolved Parliament is being auction this week when London opens its galleries, museums and park tents to an international art fair. This painting first appeared in public in 2009 when with staggering panache and secrecy, traditionally mutually exclusive features, Banksy took over the Bristol Museum and Art Gallery for his largest show. The show was brilliant, our fanboy tribute/review appeared on the Graffoto blog here.

Banksy, Sothebys, Devolved Parliament, Question TIme, painting, street art, tour, Bristol Museaum and Art Gallery

Banksy v Bristol Museum and Art Gallery 2009

This painting was at that time called “Question Time” and it was a nightmare to view and photograph with the lighting and the crowds.

Banksy, Sothebys, Devolved Parliament, Question TIme, painting, street art, tour

Banksy Question Time (photo 2009)

This time the lighting is awesome and the staging is superb with it set up to look like the House of Commons benches extend into the room, I am sure there will be lots of selfies coming out of that space this weekend.

Banksy Devolved Parliament (photo 2019)

The painting is being hyped up to set a new Banksy record. The last time the hyperbole reached such feverish levels was exactly year ago in, guess where, Sothebys! It was that infamous Girl With Ballon/Love Is In The Bin shredding stunt. Remind yourself of that moment that made Banksy the best known living contemporary artist at the moment/in history/today (nuff hype).

London, street art, urban art, banksy, girl with balloon, Sothebys, auction, shred, shredding,

“Love Is In The Bin”, Banksy, 2018

This Banksy is identified in Sotheby’s catalogue quite categorically as the one that was exhibited in Bristol in 2009 but there have been a few subtle tweaks. The lights in the chamber have gone out, much like our hopes of a proper orderly outcome to the political farce currently playing out daily in this sceptic isle.

Banksy Devolved Parliament detail (photo 2019)

Also, in 2009 we had a Labour (sort of leftish) Government led by Tony Blair and in the 2009 “Question Time” on the then labour benches which are to the left as you look at those photos, there was a chimpanzee holding a tumescent banana which curved upwards. The catalogue notes that the present owner acquired this painting from the artist in 2011, by which time we had a coalition Conservative/Lib Dem (fairly “right” though nothing like as rightwing as now), Banksy had reworked that banana so that it droops, it curved downwards.

Banksy Question Time detail (photo 2009)

Banksy Devolved Parliament detail (photo 2019)

Just one more thing, the catalogue informs us that the painting comes “from an important private collection” – apart from what it says about Banksy’s direct sales client base, vague bollocks like that truly marks the art world clambering up its own self important fundament!

Viewing:

Sothebys, 34-35 New Bond St, Mayfair, London W1S 2RT

SAT, 28 SEP 19 | 12:00 PM – 05:00 PM BST

SUN, 29 SEP 19 | 12:00 PM – 05:00 PM BST

MON, 30 SEP 19 | 09:00 AM – 05:00 PM BST

TUE, 01 OCT 19 | 09:00 AM – 05:00 PM BST

WED, 02 OCT 19 | 09:00 AM – 05:00 PM BST

THU, 03 OCT 19 | 09:00 AM – 12:00 PM BST

Links:

Girl With Balloon/Love Is In The Air review on Graffoto

Banksy v. Bristol Museum and Art gallery, 2009 on Graffoto

Banksy website

All photos: Dave Stuart

Old Banksys Reappear In Shoreditch

Two old specimens of Banksy street art hidden for many years in Shoreditch have been brought back into public view and Shoreditch Street Art Tours was the only “outsider” present to witness the unveiling. Two images, a huge rat and a TV being chucked rock star style out of a window have lain out of sight under protective wooden sheeting for 12 years though they are perhaps among the more “storied” of Banksy’s street artworks.

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Banksy Rat and TV, May 2019

The stencils were created in 2004 when a festival was organised in the car park behind the Foundry bar. They were visible until late 2007 when they were covered up under a protective wooden cover.

Sweet Toof, Cyclops, Burning Candy on the wooden protection, 2008

In 2010 Hackney Council made the preservation of the TV and the rat a condition of the planning consent for the demolition of the existing building and its replacement by an 18 storey (now 23 storey!) hotel.

The TV out the window stencil, a brilliant rock and roll cliché, looked like it was made for that wall, it’s an image that has to be on the side of a windowless building that looks like it ought to have windows. The image wouldn’t work on say a garden wall or a bridge support. Inside the Foundry all kinds of crazy things went on and prominent in the bar was a array of flickering TVs, a TV flying out the window from the Foundry seemed entirely plausible.

The rat has always been a bit unsatisfactory, It has never been clear what this rat is about, it is often described as a rat with a knife and fork but if you look that is actually a jigsaw blade not a knife and the fork is more like a harpoon or a pitchfork, we don’t know what the rat is doing, why it fits at this location nor what the red ring around the eye is about and the technique is a bit sloppy. However Banksy’s street art isn’t diminished by poor execution, they were never meant to be superb specimens of perfectly executed art and indeed evidence of haste is perhaps part of the essence of the way Banksy has to create his street art.

“Eat The Rich”? Banksy

More significantly, Banksy hated the rat! When asked to comment on the closure of the Foundry in a 2010 BBC news broadcast, Banksy sent one of his classic emails saying

“No one ever went there for the beer-it was always a bit warm and flat. I would appeal to the developers not to keep my graffiti. It’s a bit like demolishing the Tate and preserving the ice cream van out the front.” Banksy, Newsnight email 4 Feb 2010”

There you have it, the artist Banksy does not wish the art to be saved and so the council’s 2010 decision to require its preservation is morally dubious to say the least. Note the explicit confirmation that the artwork is a genuine Banksy.

It is interesting to note that the TV image has a Banksy tag next to it and they are increasingly rare out in the wild.

Banksy tag

The immediate future for the rat and the TV is that metal frames are going to be constructed around them and after separating the wall from the rest of the building structure and dismantling the walls above the art by hand, a massive crane is going to be used to lift the two wall segments separately over the building where they will be stored covered up at the front of the building site. The developers have not made their ultimate intention clear, their obligation is to provide free viewing access to the public of these two Banksys either within the hotel or somewhere else within the Borough. The developer is known to have planned to include 6 other Banksys from the Foundry building within the so-called Art’otel development but none of the other 6 survive.

Banksy Grim Reaper, Foundry

For the meantime, make the most of the brief period visibility of those two Banksys in their original location before they lose whatever sense of context they may have had in their original location and ponder the puzzle of why the council decided to preserve this rat against the artist’s own wishes yet remain oblivious to some real masterpieces that appeared on the Foundry building before and since.