Tag Archives: Banksy

A Decade of Genius Street Art

As we start a new decade a review of a tiny amount of the amazing street art witnessed in the past decade seemed appropriate.

A Bun In Their Hair, ALO, Shoreditch 2014

Here is a slide show of a number of the images that made the final review of the “wild Wonderous and Inventive” art, which is a rather vague way of saying “stuff that wasn’t mentioned in our mural, sculptural or political street art reviews.

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The only way to bring to a close this dredging up of our favourite specimens of wild outdoor art is to look back at what Banksy has been up to. Although Banksy produced far less street art in the past decade than in the noughties, on almost all respects other than quantity he continues to be the most important, brilliant and relevant artist in whatever field he chooses.

Banksy Dismaland, 2015

Banksy’s Better In Than Out in New York saw a month long treasure hunt – “hide and seek” combo which cast Banksy as Bonnie And Clyde against the NY mayor, police and press and the world watched with glee but we already knew Banksy would never be caught.

Better Out Than IN, Banksy, New York, photo LunaPark

He also had a major art triumph staging a group shop with a conscience at Dismaland though we already knew Banksy did extraordinary exhibition/experience fusion.

Dismaland, Banksy, Weston Super Mare, 2015

He created a huge mural in Dover in 2017 but we already knew Brexit was a stupid idea.

Banksy, Dover 2017

My favourite Banksy of the decade however was his Les Miserables in Knightsbridge, London’s embassy land.

Tear gassed Cosette, Banksy, Knightsbridge London, 2016

It has the Banksy signature elements, it had the cleverness in repurposing the iconic image of Cosette, it had the impact in terms of global exposure, right opposite the French embassy it combined perfect placement with the “wow, how did he get away with that.” factor.

We did not however know about the French police tear gassing migrant families in the camps in Calais and this was Banksy’s crowning achievement, bringing that shameful episode to wider international attention.

Cosette v French embassy, Banksy, Knightsbridge London, 2016

This selection of photos a part of the selection reviewed and discussed on the Graffoto blog post 2010 – 2019 Wild Wonderous Inventive Street Art

All photos Dave Stuart except LunaPark where noted

It has been a huge pleasure to write 5 reviews of the street art of the past decade which we personally enjoyed. The Links to those reviews are at the bottom of the Graffoto review. A specific review of the street art of 2019 might appear shortly.

A Decade Of Political Street Art

The third of our series reflecting on the street art we have enjoyed over the past 10 years looked at the street art that appeared on our streets.

Banksy had a lot to contribute politically over the past decade of course.

Banksy, Brexit, Dover

Much of the art was done without permission though there were the occasional huge campaigning murals.

Dave The Chimp – Education Is Not A Crime

Here is a slide show showing the photos that we pulled out of our archives, the full descriptive text about the political street art is on Graffoto, our other blog

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Street Art, review, 2010s, Graffoto.co.uk, street art tours, tour guide, political street art, Banksy, Cept, EINE, Bambi, subdued, Tom Blackford, CodeFC, Uberfubs, Extinction Rebellion

Banksy – If Graffiti Changed Anything, It Would Be Illegal, London 2011

Part 1 of the Decade 2010 reviews looked at where Street Art was in 2020: here

Part 2 was a look back at spectacular murals: here

All photos: Dave Stuart, principal guide and founder, Shoreditch Street Art Tours

A Decade On – King Robbo

Christmas Day 10 years ago the notorious Robbo vs Banksy spat went to another level. Robbo, RIP, headed out very early Christmas morning, crossed the Regents Canal at Camden directly under British Transport Police HQ and painted the perfect riposte to Banksy’s Wallpaperer.

Banksy, Robbo, feud, Banksy v Robbo, Street art, Graffiti, London, Shoreditch, Camden, Pure Evil Gallery, tour, tour guide

25th December 2019 KING ROBBO!

Early that Christmas morning I noticed a photograph on Flickr of Robbo’s new iteration of this piece posted by Robbo’s WRH crew mate Doze. The genius was immediately apparent from that photo. I whizzed straight down to the canal, took some photos and “Banksy vs Robbo WRH, WD – Checkmate” was posted online before Christmas lunch was served. It remains to this day the most read post on Graffoto.

Before Robbo’s Christmas morning adventure, the art on the wall consisted of a workman by Banksy wallpapering over some graffiti, which was actually over an ancient Robbo piece.

Banksy Wallpaperer, 19th December 2019

For context, Banksy vs Robbo was an intense feud with ancient origins but for roughly a 6 month period it raged spectacularly at several locations along Regents Canal in Camden as each artist attacked the other’s art with a succession of insults.

“It’s tongue in cheek, it’s all a laugh, it’s a giggle” Robbo told Graffoto about 10 months later when we met for a beery one on one unpublished interview in his local near Kings Cross. Robbo also said in reference to the art Banksy was producing at the time “A couple of things I like, the graffiti wallpaper, that was a good piece, so was the global warming, that was a good piece. I appreciate art, I’m an artist. I’m a graffiti artist that’s my main flag but I am an artist”

Robbo exhibition opening night, Pure Evil Gallery, Sep 2010

Robbo mentioned how he didn’t have much to do with social media so his mate put up the photo on Flickr, then early afternoon Robbo received a call to tell him the piece had already been picked up by a blog. Robbo said some kind and appreciative things about the Graffoto coverage so on the 10th anniversary of that event it is a pleasure to remember that exciting piece of art.

Robbo RIP, Tribute by Adnate (Aus) in Shoreditch. Sep 2014

Graffoto Christmas Day 2009: “Banksy v. Robbo – Checkmate”

All photos: Dave Stuart

Banksy Solo Show in Croydon

For two weeks in October I was exhorting everyone who did our street art tour to make a short trip to Croydon to check out Banksy’s first UK solo show since 2009 and I got feedback from several people who did.

Banksy created a real world store with items from various departments arranged in a shop window display.

Gross Domestic Product

Here are a few of my favourites.

Welcome Mat, in support of “Love Welcomes” (details in Graffoto post)

Rat Clocks

As soon as it closed its shop window display Gross domestic Product opened an online store selling some of the displayed range.

Early Learning Centre Counting Set

Banksy was very keen that a cross section nof the goods be available at affordable prices to ordinary people, so the sales process depending upon fans applying to buy one piece, then waiting to see if they got luck in what appears to be partially a draw and partially “complete this sentence 12 words or fewer” kind of tie breaker. At the time of writing I am desperately clinging to the hope that those emails have not yet been sent out.

Duck and Cover

On Graffoto, we have a comprehensive photographic survey and appraisal of the items Banksy displayed as well as his motives, check that out HERE

All photos: Dave Stuart

Banksy Painting at Sothebys

Banksy’s most spectacular painting to date is on display at Sotheby’s Bond St, London HQ and beautifully staged it is too.

Devolved Parliament is being auction this week when London opens its galleries, museums and park tents to an international art fair. This painting first appeared in public in 2009 when with staggering panache and secrecy, traditionally mutually exclusive features, Banksy took over the Bristol Museum and Art Gallery for his largest show. The show was brilliant, our fanboy tribute/review appeared on the Graffoto blog here.

Banksy, Sothebys, Devolved Parliament, Question TIme, painting, street art, tour, Bristol Museaum and Art Gallery

Banksy v Bristol Museum and Art Gallery 2009

This painting was at that time called “Question Time” and it was a nightmare to view and photograph with the lighting and the crowds.

Banksy, Sothebys, Devolved Parliament, Question TIme, painting, street art, tour

Banksy Question Time (photo 2009)

This time the lighting is awesome and the staging is superb with it set up to look like the House of Commons benches extend into the room, I am sure there will be lots of selfies coming out of that space this weekend.

Banksy Devolved Parliament (photo 2019)

The painting is being hyped up to set a new Banksy record. The last time the hyperbole reached such feverish levels was exactly year ago in, guess where, Sothebys! It was that infamous Girl With Ballon/Love Is In The Bin shredding stunt. Remind yourself of that moment that made Banksy the best known living contemporary artist at the moment/in history/today (nuff hype).

London, street art, urban art, banksy, girl with balloon, Sothebys, auction, shred, shredding,

“Love Is In The Bin”, Banksy, 2018

This Banksy is identified in Sotheby’s catalogue quite categorically as the one that was exhibited in Bristol in 2009 but there have been a few subtle tweaks. The lights in the chamber have gone out, much like our hopes of a proper orderly outcome to the political farce currently playing out daily in this sceptic isle.

Banksy Devolved Parliament detail (photo 2019)

Also, in 2009 we had a Labour (sort of leftish) Government led by Tony Blair and in the 2009 “Question Time” on the then labour benches which are to the left as you look at those photos, there was a chimpanzee holding a tumescent banana which curved upwards. The catalogue notes that the present owner acquired this painting from the artist in 2011, by which time we had a coalition Conservative/Lib Dem (fairly “right” though nothing like as rightwing as now), Banksy had reworked that banana so that it droops, it curved downwards.

Banksy Question Time detail (photo 2009)

Banksy Devolved Parliament detail (photo 2019)

Just one more thing, the catalogue informs us that the painting comes “from an important private collection” – apart from what it says about Banksy’s direct sales client base, vague bollocks like that truly marks the art world clambering up its own self important fundament!

Viewing:

Sothebys, 34-35 New Bond St, Mayfair, London W1S 2RT

SAT, 28 SEP 19 | 12:00 PM – 05:00 PM BST

SUN, 29 SEP 19 | 12:00 PM – 05:00 PM BST

MON, 30 SEP 19 | 09:00 AM – 05:00 PM BST

TUE, 01 OCT 19 | 09:00 AM – 05:00 PM BST

WED, 02 OCT 19 | 09:00 AM – 05:00 PM BST

THU, 03 OCT 19 | 09:00 AM – 12:00 PM BST

Links:

Girl With Balloon/Love Is In The Air review on Graffoto

Banksy v. Bristol Museum and Art gallery, 2009 on Graffoto

Banksy website

All photos: Dave Stuart

Old Banksys Reappear In Shoreditch

Two old specimens of Banksy street art hidden for many years in Shoreditch have been brought back into public view and Shoreditch Street Art Tours was the only “outsider” present to witness the unveiling. Two images, a huge rat and a TV being chucked rock star style out of a window have lain out of sight under protective wooden sheeting for 12 years though they are perhaps among the more “storied” of Banksy’s street artworks.

Banksy, rat, stencil, tv, Foundry, Shoreditch, London, art otel, art hotel, street art, street art tour

Banksy Rat and TV, May 2019

The stencils were created in 2004 when a festival was organised in the car park behind the Foundry bar. They were visible until late 2007 when they were covered up under a protective wooden cover.

Sweet Toof, Cyclops, Burning Candy on the wooden protection, 2008

In 2010 Hackney Council made the preservation of the TV and the rat a condition of the planning consent for the demolition of the existing building and its replacement by an 18 storey (now 23 storey!) hotel.

The TV out the window stencil, a brilliant rock and roll cliché, looked like it was made for that wall, it’s an image that has to be on the side of a windowless building that looks like it ought to have windows. The image wouldn’t work on say a garden wall or a bridge support. Inside the Foundry all kinds of crazy things went on and prominent in the bar was a array of flickering TVs, a TV flying out the window from the Foundry seemed entirely plausible.

The rat has always been a bit unsatisfactory, It has never been clear what this rat is about, it is often described as a rat with a knife and fork but if you look that is actually a jigsaw blade not a knife and the fork is more like a harpoon or a pitchfork, we don’t know what the rat is doing, why it fits at this location nor what the red ring around the eye is about and the technique is a bit sloppy. However Banksy’s street art isn’t diminished by poor execution, they were never meant to be superb specimens of perfectly executed art and indeed evidence of haste is perhaps part of the essence of the way Banksy has to create his street art.

“Eat The Rich”? Banksy

More significantly, Banksy hated the rat! When asked to comment on the closure of the Foundry in a 2010 BBC news broadcast, Banksy sent one of his classic emails saying

“No one ever went there for the beer-it was always a bit warm and flat. I would appeal to the developers not to keep my graffiti. It’s a bit like demolishing the Tate and preserving the ice cream van out the front.” Banksy, Newsnight email 4 Feb 2010”

There you have it, the artist Banksy does not wish the art to be saved and so the council’s 2010 decision to require its preservation is morally dubious to say the least. Note the explicit confirmation that the artwork is a genuine Banksy.

It is interesting to note that the TV image has a Banksy tag next to it and they are increasingly rare out in the wild.

Banksy tag

The immediate future for the rat and the TV is that metal frames are going to be constructed around them and after separating the wall from the rest of the building structure and dismantling the walls above the art by hand, a massive crane is going to be used to lift the two wall segments separately over the building where they will be stored covered up at the front of the building site. The developers have not made their ultimate intention clear, their obligation is to provide free viewing access to the public of these two Banksys either within the hotel or somewhere else within the Borough. The developer is known to have planned to include 6 other Banksys from the Foundry building within the so-called Art’otel development but none of the other 6 survive.

Banksy Grim Reaper, Foundry

For the meantime, make the most of the brief period visibility of those two Banksys in their original location before they lose whatever sense of context they may have had in their original location and ponder the puzzle of why the council decided to preserve this rat against the artist’s own wishes yet remain oblivious to some real masterpieces that appeared on the Foundry building before and since.

Buffed 2011 – feat Elmo ATG, & Gold Peg and Sweet Toof collab

Elmo, Masker, Milo Tchais, Run, Zezao, Gerard Gademann; May 2011

Jo Peel animation, 2013

Fintan Magee (detail) 2014, also feat Eine, Pez, ALO, Borondo

Waleska Nomura. 2015

Phlegm, 2015

Note the knowing nod to Banksy’s TV in the phlegm above, very nice.

EINE “Last Days Of Shoreditch” 2016

This article is a summary of a longer version published on Graffoto blog

30 May UPDATE: The exposed Banksys have been covered up again!

All photos: Dave Stuart

Street Art vs Brexit

Yesterday evening the UK’s parliament voted to show that they had not changed their mind since December on a withdrawal agreement that hadn’t changed since December. Street artists have not been impressed with the political process over the past three months, nor indeed the past three years or so.

Artist Not Known, March 2019

“Bye Bye” says an anonymous artist who spotted a gate in Shoreditch conveniently painted EU flag blue. This flag with one member missing piece echoes Banksy’s enormous EU flag with a tromp l’oeil worker chipping away a star brilliantly greeting UK leavers as they depart through Dover.

Banksy, Street art, mural, Dover, Brexit, EU Flag, painter, ladder, stencil

Banksy, Dover June 2017

It was noticeable and disappointing how little political street art appeared during the 2016 Brexit referendum campaign. The most memorable from a very small entry list were these spoofs on the adverts for Banksy’s street art documentary “Exit Through The Gift Shop” lampooning Boris Johnson and Nigel Farage.

Boris Johnson, Artist Not Known, June 2016

Nigel Farage, Artist Not Known, June 2016

Since then we have seen a ramping up of the Brexit street art as the unthinkable went from implausible to likely to now pretty much unavoidable.

Brexit Through The Chip Shop – CodeFC, June 2017

Scrap Brexit – Uberfubs, 2018

In the aftermath of the referendum result the immediate targets for street art scorn and derision were David Cameron, Nigel Farage and Boris Johnson, the architects and chief pom-pom wavers for the Leave cause.

Spineless Nigel Farage, UKIP party by MCLN, August 2016

Boris Johnson buffoon, fuckwit, bellend, racist, snob by Boo Who Up North

3 Brexiteers – Derek Davis (gone), Boris Johnson (missing inaction), Jacob Rees Mogg by Subdude, April 2018

Boris Johnson is DUMBO by K-Guy

The political paralysis and consequential insertion of heads into the sand really gained a head of steam in December.

Scrap Brexit – Uberfubs, Dec 2018

Theresa May faced a vote of no confidence by her own party after cancelling the first so-called “meaningful vote” in December

Street Art, Shoreditch, London, Street Art Tour, Political Art, Joe Bloggs, Jonesy, Theresa May, Brexit,

Maygo by Joe Bloggs, Dec 2018

I was recently obliged to take a few weeks away from the walls and pavements of Shoreditch and on resuming street meanderings last weekend I was bowled over by the amount of Brexit street art that appeared in that short absence.

The duo Quiet British Accent belatedly brought George V into the debate.

Quiet British Accent – Bugger Brexit, last weekend

Theyen Rich aka Corrosive 8 deploys the sound political debating stratgey of making your opponent look simultaneously stupid and obscene, the Prime Minster’s watersports would certainly rate triple X. He also borrows the buses to nowhere from anarcho-punk artist Jamie Reid and adds a Carrie Reichardt slogan.

>Mistress Theresa’s Golden Shower – Corrosive 8, last weekend

Corrosive 8 with nod to Jamie Reid & Carrie Reichardt, last weekend

Benjamin Irritant’s rabbit asks a very pointed rhetorical question, is it great again yet?

Benjamin Irritant, last weekend

The Misfortuneteller has developed a witty street cartoon style in the past couple of years, this largest piece to date borrows its style from a closing down sale, its simplicity belying the fact that it is emphasizing the gap between the Brexiteer’s promises of “the easiest trade deals ever negotiated” against the visibly increasing isolation the country faces with borders and barriers hardening, no deals and inward investment evaporating.

Britain Closing – The Misfortuneteller, March 20219

Subdude, producer of a lot of Brexit related art over the past few years, has deviated from his usual distinctive style of political humour on flat colour blocks to deliver a hand drawn condemnation of petty sectarian spats, photos and cartoons on newspaper pages make it clear who is the target of the jibe. Apparently Subdude has put six out on the streets but so far I have only found three, one of which overlays a political cartoon illustrating Theresa May and Jeremy Corbyn both facing a common dilemma, Brexit actually threatening to irreparably split both of the UK’s main political parties. Ironically, in order to placate their parties both are having to turn away from the fact that neither actually supports the position they politically obliged to adopt, we live in weird times.

Subdude, March 2019

Cigarette packet health warnings have been used as the basis for political street art for over 10 years, in fact almost since the regulations came in in 2003, think K-Guy in the mid 2000s. Wanker’s Of The World, whose mission is to identify and award that sobriquet to suitable candidates in the public eye are responsible for enormous cigarette packets mocking the main proponents of the Brexiteers. There are apparently 6, we located 5 in the past week. Ironically, the adoption of those cigarette packet warnings is actually an EU law which mandates the format, size and range of messages in all EU countries.

Jacob Rees-Mogg, chair “European Research Group”. Brexit Can Be Fatal, last week

Theresa May, Brexit Causes Family Arguments (who’s putting out the bins?)

Street Art, Shoreditch, London, Brick Lane, street artists, graffiti, tours, Miss KK, Sell Out, Northern Southner, Agos_Art, Catmousey9, Subdude, political art, EU art, Brexit art,

Boris Johnson, Brexit harms your children

Michael Gove, Quit Brexit Now

IN the interests of fairnessm here is a comprehensive review of all the pro Brexit street art seen since 2016:

Who knows what the monkeys in the chamber are going to do next, certainly they don’t!

Banksy Bristol Museum Poster 2009

This is a condensed version of a blog post that originally appeared on Graffoto blog

LINKS:

Banksy website

CodeFC Instagram

Uberfubs Instagram

MCLN Instagram

Boo Who Up North Instagram

Subdude Instagram

K-Guy Instagram

Joe Bloggs Instagram

Quiet British Accent Instagram

Benjamin Irritant Instagram

The Misfortuneteller Instagram

Wankers Of The World website

All Photos: Dave Stuart

Banksy Shredding – Update!!

Banksy shreds Girl With Balloon but not his credibility.

Two weeks ago the art world was “en fête” at London’s art week and the major auction houses held champagne swilling contemporary art auctions. There can be very few people who are not aware of the amazing stunt Banksy pulled off at Sothebys auction when his “Girl With Balloon” shredded itself at the very moment the auctioneer concluded the sale.

Going, Going, Gone! source: Banksy

The stunt is a work of genius in its production, execution (Sotheby’s involvement?) and impact Banksy of course is mocking the art world’s obsession with wealth, value and profit.

“I Can’t Believe You Morons Buy This Shit”, Banksy, 2006, source: Banksy website

Speculation and conspiracy surround this particular stunt by Banksy. Could this possibly have been fabricated in 2006 . Could this possibly really have been fabricated in 2006 in anticipation that it might appear in an auction years later? How many would Banksy have to make to ensure that the stunt could be executed in public rather than stymied by a private sale? Was it pure chance that this particular art piece would be mounted so visibly on the auction room wall rather than just wheeled in, given its 2 minutes in the sunlight on an auctioneer’s easel then trundled out again? Back in 2006 we had not yet had the first gold plated white gloved Urban Art Auctions (here), could anyone have reasonably predicted that Banksy’s art would be so lauded (i.e. expensive) as to be the highlight of an art week contemporary art auction?

Last weekend Sothebys put the so called new artwork on public display. Queuing was about 45 minutes on Sunday afternoon, the guards marshalled orderly lines of visitors, the artwork was beautifully hung to be visible from both sides, well lit, well sign posted and well controlled.

“Love Is In The Bin”, Banksy, 2018

The catalogue listing for the original “Girl With Balloon” piece described the work as “signed and dedicated on the reverse”, presumably what looks like black tape in a recess on the back is masking the dedication but there’s the signature in all its glory.

“Love Is In The Bin”, Banksy, 2018 rear view

“Love Is In The Bin”, Banksy, 2018, signature!

Here is the news! Sister blog Graffoto by same author posted last Sunday about the rumours and speculation and associated ironies and included one prophetic statement:

“Was Plan A that Girl With Balloon would shred itself to complete destruction? If it had Banksy would have highlighted the precariousness and ephemerality of the trivia to which the art world attaches its highest valuations. We won’t know ever. “

That last bit – completely wrong! Within the past hour Banksy has released an updated video – well, we won’t spoil the ending, just watch!