Tag Archives: street art photography

Night Street Art Photography

The days are getting longer, hurrah! Another way of looking at it is that the nights are sadly getting shorter. We are now over halfway through the Shoreditch night street art photography season and it has been a cracker. The season ends pretty much when the clocks go forward in Spring so there is not much time left to join the fun.

Long exposure night photography of street art by Enigma in Shoreditch with light painting

Enigma with light painting and ghosts

On the Night Street Art Photography tour let me help you take stunning night photos of street art such as these.

Long exposure night photography of street art by Mr Cenz in Spitalfields with light trails and light painting

Mr Cenz with light trails and light painting

If you have never done long exposure night photography before you will be find yourself quickly immersed in gorgeous light trails, ghosts, night moods and light painting.

Long exposure night photography of street art by This One in Shoreditch with light trails and light painting

This One with light trails

If you have mastered the basics of manual photography and have say for example an ND filter then you can get into really arty night photography with an amazingly photogenic subject matter.

Long exposure night photography of street art by Alessandro Ioviero in Brick Lane with light painting

Alessandro Ioviero with light painting (Filters not necessary!)

You will find that the skills you acquire will be useful for many other urban night time urban photo opportunities.

Long exposure night photography of Spitalfields Market on a dark moody night with car light trails

Moody night in Spitalfields

You may even be able to create stunning gif animations such as this (Photoshop or a gif animator required).

Night Street Art Photography tours are arranged for individuals or small groups no more than 3, please contact me by email with your enquiry or you can learn more from our website. We know where to take you and how to photograph it!

Long exposure night photography of graffiti by Real in London with train light trails and light painting

Real with light trails

All photos in this post were taken this Winter by Dave Stuart.

Links:

Stinkfish (feature photo) website

Enigma instagram

Mr Cenz website

This One instagram

Alessandro Ioviero website

Wrdsmth website

Digging In The Archives Pt 10

When I first began to explore street art one my favourite artists was and indeed still is French stencillist Jef Aerosol. This Aerosol masterpiece was on Hanbury street and marked more or less a the time that this wall was just beginning to be used for permissioned murals.

street art, Shoreditch, Shoreditch street art tours, London, Tour Guide, Dave Stuart, street art photography,

Jef Aerosol 2010

Shoreditch street art was dominated by stencilism in the 00s and why not, Banksy was the stencil artist kicking down the doors of public disinterest and general hostility. K-Guy was and again still is a great personal favourite. This is his take on the dual significance of the national flag, a symbol of pride yet also racism.

K-Guy 2008

The next photo shows K-Guy’s artwork in context. In 2007 Shepard Fairey hit that spot with a long lasting paste-up (a spot he returned to in 2012). Sotheby’s and Bonhams started their urban art auctions in early 2008, others then hitched to that bandwagon. This was probably the first occurrence I came across of an arts related organisation destroying a piece of street art in pursuit of advertising. This shit still goes on and basically if you see street art being damaged in pursuit of the commercial interests of galleries, auctions and online sellers, then it’s a clear sign the fuckers do not get the culture, steer clear.

K-guy 2008 featuring Shepard Fairey – defaced, dissed and abused

Special Offer: Free Art! The stencil on cardboard below was a piece of free art by the prolific, varied and much missed street artist Mr Farenheit. Hopefully it went to a good home. This doorway in fact the whole building, now demolished, was always intensely distressed and beautifully decayed; muscular rust on the iron door had very little sympathy for any paper pasted onto its surface. “Special Offer” is a detail from an ACE paste up; the thick black bars emerging over Twiggy’s left shoulder are a Paul Insect relic; D7606 also did great paste up montages on this door and it’s a rare photograph where you can’t see one of his pieces at this spot.

Mr Farenheit, 2013

The pair of birds in the next photo by artist and graffiti writer Dr Zadok are done in the swirling style which characterizes both his graff letters and his art. Alleyn Gardens habitués will note the virgin brickwork on the then relatively new North London Line.

Dr Zadok 2013

The image below shows Dr Zadok’s hand finished bookcover in aid of Joe Epstein aka LDNgraffiti’s fundraiser for Great Ormond St Hospital. More details and information about how you can to support the fund raiser and maybe win one of these fantastic prizes in the #LDNGOSHLottery is HERE. Keep an eye out on LDNGraffiti’s Instagram for further announcements of more prizes.

LDN GOSH Charity Book with Dr Zadok Cover art

Swoon again, simply because she rocks. Close to Broadway Market, 2011.

Swoon, 2011

Borondo was an extraordinary painter who lived in London for a number of years in the early part of the 00s. His impressionist murals channelled the effect of strong colours but he first appeared doing single layer portraits created by splashing emulsion on the outside surface of glass windows then etching imagery into the paint with a fork. Two artworks survive, the “11 Apostles” on the Bull in a China Shop on Shoreditch High Street as appears in the featured image above is easy to find. This pair of figures from 2013 play with the window frames; the scraped paint has settled like frost on the window ledge.

Borondo, Brick Lane 2013

And now, something consigned to the archive in just the past fortnight !Things turned a brighter shade of orange across a locked down (ish) Picadilly Circus as the iconic illuminations displayed a charity digital artwork by Stik. Stik must be alongside Shep Fairey and Banksy in the ranks of street artists who most consistently use their art for deserving causes. This installation was in support of Young Westminster Foundation.

Stik Picadilly Circus June 2020

Stik is also one of the 9 street artists who have joined Joe Epstein to raise funds for @GreatOrmondSt Hospital. Each artist has created a special version of the book by hand painting the cover, so that’s 9 unique versions of the book.

See HERE for a blogpost with more images, details and link to how to support the fund raiser and maybe win one of these fantastic prizes in the #LDNGOSHLottery and keep an eye out as well for further announcements of more prizes.

LDN GOSH Charity Book with Stik Cover art

We didn’t clap for carers in the UK this week, the mood switched more to pressurising the government to fund the carers properly, and reward them not to mention try a little bit of planning for a change as a second wave is held likely. Seems like a good moment to shelve Diggin In The Archives, though it has been a happy accident of exploring my own archives and memories and so don’t rule out DITA’s resurrection sometime.

Check out the previous Diggin’ In The Archives weekly compendiums starting with week 1 and then hopefully navigate the index to find the rest: DITA 1

All photos: Dave Stuart

Diggin In The Archives Part 9

In the week we discovered new ways to test your eyesight the photo archive continued to exhibit 20/20 hindsight with visual crackerjacks from the past.

Mr Cenz has a spraypainting pedigree that stretches back over 30 years so it is not surprising that his style has evolved considerably. He is famous these days for intensely colourful portraits with shafts of light and starbursts, those elements are clearly emerging in this 2013 portrait yet at the same time, it is quite different.

Mr Cenz, Ravey St, 2013

The two seemingly abstract paste ups above on the Grant and Taylor sign represented folded garments by Specter from NY who dropped some art works reflecting on visual aspects of the homeless community when over in 2010 for an exhibition in the Pure Evil Gallery.

Next a pair of east end classics, Sweet Toof and Paul Insect on a paste-up mission around #BrickLane. That pair of beautiful decaying paste-ups has long gone but this 2013 photo also shows Jonesy’s “Sand Tar Nightmare” from 2012 complete with the original Native American headdress feathers which is still up today.

Sweet Toof, Paul Insect, Jonesy, Fournier St, 2012

Graff snapping mate for many years Joe Epstein aka LDNGraffiti, author of street art book “London Graffiti and Street Art” has teamed up with 9 street artists to raise funds for Great Ormond St Hospital. Each artist has created a special version of the book by hand painting the cover, so that’s 9 unique versions of the book..

LDN Graffiti, Joe Epstein, London Graffiti and Street Art, GOSH, Great Ormond Street Hospital, Alo, Dr Zadok, MadC, Neist, Pure Evil, Run, Stik, The Toasters, Vibes, Shoreditch Street Art Tours

9 Art Blitzed Books – Unique Covers

Italian artist Giacomo aka RUN paints stunning murals around Shoreditch and North London. Flat faced characters express surprisingly intense emotion and always at large scale. This pair of characters competing for the passer-by’s attention dates from 2009. Needless to say that spot on Hackney Road has no sense of that urban dereliction now.

Run, Hackney Road, 2009

Click HERE for a blogpost with more images, details and link to how to support the fund raiser and maybe win one of these fantastic prizes in the #LDNGOSHLottery, keep an eye out as well for further announcements of more prizes.

This D7606 & C3 collaboration from 2013 found a perfect home on the haphazard accumulation of red and white marks on this Blackall St door. The featured image at the top of this post is a beautiful piece of pop street art by D7606 from 2013.

D7606 C3 collaboration, Blackall St 2013

Dan Witz is full on old school street artist from New York who has blessed London with impressive street art on several occasions. Each passion project has been cause driven. It was Guantanamo in 2013 (1^st photo) and his “Empty The Cages” anti animal cruelty project in 2014. The joined up element between the two visits was the theme of incarceration and cruelty in both.

Dan Witz, Rathbone Place, 2013

I recently cycled through Kings Cross and can report with pleasure and amazement that the PETA (People For The Ethical Treatment of Animals) installation below is still in place. See Graffoto.co.uk Feb 2014 for an appreciation of Dan Witz’s street art contribution to that campaign.

Dan Witz, Kings Cross, 2014

The magical power of art to turn humble domestic artefact into art icon has an honourable lineage that ultimately culminates in Toasters! Toasters already came up in Week 2 of #DigginInTheArchives but embedded in this bit of #flashback fun is a cruel selection process as a limit of one image only per artist was imposed following the principals of #rulesforbenefitofall #rulesapplytoall (according to government deputy Chief Medical Officer Prof JVT when he broke ranks at the briefing podium to condemn lockdown breaches by unelected shameless creep Cummings).

Thanks again to Joe Epstein’s fundraiser for Great Ormond St Hospital, the Toasters corner of the archive gets forked over a second time. This stunning appliance from 2010 faced a Roa hare, famously spared the council buff thanks to a public petition. That green board next to the Toaster was the same property that the Run characters were on in 2009, see above.

Toasters, Roa, Hackney Road, 2010

Every week now it feels like it is time to draw DITA to a close, to get out, do fresh but socially distanced street art spotting. We are however feeling inclined to err towards the side of the scientific advice and, again in the words of JVT, “not tear the pants out if it”. DITA daily uploads will continue on the Dave Stuart instagram

Check out the previous Diggin’ In The Archives weekly compendiums starting with week 1 and then hopefully navigating the index to find the rest: DITA 1

Diggin In The Archives Pt 8

This week in spite of the latest official guidance to follow unofficial interpretations of the law, there have been no trips to Durham. I have followed my instinct to remain at home to see what scum is floating on the surface of the street art photography archive.

Ludo first put his art on London streets in 2009 and right from the off his Nature’s Revenge project dealt with man vs nature, weaponry, deception and death. Ludo’s work always had scale and awesome eye-catching placement. This weaponised orchid dates from 2011.

Ludo, 2011

Street artist and gallerist Rae visited London in 2013 and left an impressive range of paste ups, stickers, painted surfaces and this wacky sculpture which lasted all of 24 hours.

Rae, 2013

Rae, 2013

The Battle Of Fashion St pitted Ronzo’s monster, looking very much exactly like a medical diagram of a virus against studio stablemate Conor Harrington’s faceless soldier. Like most of Conor’s art this one lasted a long time.

The battle Of Fashion St, Ronzo and Conor Harrington, 2011

Graff snapping mate for many years Joe Epstein aka LDN Graffiti, author of street art book “London Graffiti and Street Art” has teamed up with 9 great street artists to raise funds for Great Ormond St Hospital. Each artist has created a special version of the book by hand painting the cover, so that’s 9 unique versions of the book.

Great Ormand Street Hospital COVID-19 Lottery fundraiser

For more images, details and a link to how to support the fund raiser and maybe win one of these fantastic prizes in the LDN GOSH Charity Lottery, click here

One of the featured artists in the LDN GOSH fundraiser is Pure Evil, he doesn’t so much redecorate the book cover as subject it to extreme abuse and reconfiguration, it’s bonkers but brilliant. In 2012 Pure Evil imagined the Hackney Olympics looting squad making off with some Olympics booty, as seen on this Redchurch Street shutter.

Pure Evil 2012

Pure Evil LDN GOSH Charity Book

In the happy days when I had a kind of job thing, I did one of my Street Art Photography Workshops in Hackney. I only found out this week thanks to Inspiring City’s Art Related Noise podcast interview that this stencil piece is “Lee P” by Findac. Lee P is otherwise known as street artist Eelus. The second shot illustrates the photographers’ intention – to show what Lee P was looking at.

Findac, 2013

Findac, 2013

More than a decade of pasting up street art has left no doubt that Donk has an awesome approach to impressive installations created from his own original photos. It would be very easy to dredge up one of Donk’s huge crowd pleaser paste up images like the Fashion St fence (with the tassels), the Willow Street horse facing POW (see featured image above) or the ghetto blaster on Sclater St but with no slight on any of those, sometimes his montages of smaller images show his versatility better. From 2013 this is a selection of hand finished unique Humble Magnificent and B Brave Indian images featuring Donk jr as model. Donk’s paste up’s typically decayed beautifully.

Donk 2013

Claudia Walde aka MadC is a graffiti writer and book author. She is also another of the artists to have created a unique painting on a book being auctioned to raised funds for Great Ormond St Hospital, details as above.

In culture with such a huge gender imbalance MadC is a rare example of an internationally regarded graffiti writer. In 2011 the Pure Evil Gallery hosted MadC’s first solo exhibition and graffiti writers came from all over to check out her top notch can skills and brilliant colour palette. Her 2013 abstract mural on Chance St in Shoreditch is well known and still running. Less known perhaps is this stunning 2011 graffiti on the old Micawber St launderette, look closely and you can pick out her name in there. It was huge though this is nowhere near the biggest piece of graffiti MadC ever did.

MadC, 2011

Mad C LDN Graffiti book cover

If you are interested in seeing previous DITAs, you can start with the first weekly compilation of the daily DITA uploads HERE.

Art credits and links are by each photo. All photos: Dave Stuart

Diggin In The Archives Part 7

Never in history have the words “relax lockdown measures” been so badly abused. Please stagger your viewing of this post and share with only one person outdoors. Here are this week’s street art little gems from the past.

Jorge Rodrigues-Gerada is probably more widely known these days for his enormous land art portraiture but in 2012 London was blessed with a number of works by Jorge. This beautiful 2012 charcoal portrait was ludicrously short lived.

Street art, Shoreditch, Shoreditch street art tours, London, Tour Guide, Dave Stuart, street art photography, BLastFromThePast, BackInTheDay, DiggingThroughTheArchives, shoreditchstreetarttours

Jorge Rodrigues-Gerada 2012

Cartrain was a marmite kind of artist, people either loved him or hated him. I had got pretty fed up with him constantly hitting up stencils right onto the edges of Banksy stencils around Shoreditch. Then in 2007 he came up with these collages, a massive transformation. The first few had proper gilded picture frames and he added spoof Perspex gallery labels alongside them though I guess the logistics of economically sourcing frames led to the cardboard cut out frames. I thought it was brilliant, others struggled to make sense of the random meaningless combination of images. Then came his appropriation of Hirst’s diamond skull and that evolved into a whole other drama of its own. The unusual diptych framed specimens here date from 2011.

Cartrain, 2011

There is nothing quite so exciting as a good hack of the corporate intrusion on the visual landscape. Meaning, ad busting rocks and Vermibus is a master of the form. In 2012 Vermibus was one of the key participants at Moniker Art Fair which in those days was still based in its original Village Underground location. This advert box, not far from Moniker, is a single purpose intrusion into the public pathway, it’s an illuminated obelisk straddling the pavement angled for visibility to car and bus occupants. The Featured image at the top is also Vermibus hijacking an illuminated ad box in 2012.

Vermibus, 2012

The second image is a collection of keys for illicitly accessing the different forms of those advertising spaces displayed by Vermibus at Moniker.

Vermibus at Moniker, 2012

Remember Ai Wei Wei was placed under house arrest in China in 2010? In April 2012 I chanced upon this Free Ai Wei Wei stencil by Bambi sweetly captioned “You can cage the singer but not the song”. This photo is out of focus, the lighting is shite and composition is abysmal but when you want to photograph a piece of street art you stumble on en passant, you make the best of whatever light and technology is available. In this case, it was the shittiest out of date corporate Blackberry with a camera not much more advanced than a pinhole and the Guinness enabled focussing feature selected. When I returned in daylight with a proper camera a few weeks later it had been buffed.

Bambi, 2012

Lovepiepenbrinck shared her time between Hamburg, Berlin and London and for years put out a series of piggies each presented as a different character. The piggies were quite small, often they were high up and sometimes completely hidden in dark spaces. Finding the piggies was like a treasure hunt. This example was the Ronald McDonald piggy obviously. One piggy was disguised as a shark, mounted in a small glass cube and glued to the outside of the Tate Modern in 2012 when Damien Hirst had that huge show there. Its title was “The physical impossibility of being a shark in the mind of a pig”. Street art genius! (And I never got to see it for real, security had it removed very quick).

Lovepiepenbrinck, 2013

Stay alert! You have nothing to fear in isolation except Skeleton Cardboard’s morbid dancing skeletons. These used to appear in many imaginative forms, often interacting with the fabric of the wall or as a response to existing artworks. Dem bones were guaranteed to raise a smile . . .

Skeleton Cardboard, 2013

Nether‘s street art first appeared in London in 2012. When he returned in 2018 his style was dramatically altered, though those distinctive planes remained a feature. Also sneaking into the margins of this this photo are an awesome piece by Mr Wany, a detail from the edge of a Pez mural also dated 2012 and the conceptually brilliant pulse of EKG from New York.

Nether, 2012

It looks like the archives are going to be forked over for some time yet, each one of these photos reveals itself like a little speck of glass in an ankle deep farmyard.

Two months intensive use of the internet means you don’t need to be told where to find the previous selections of archive gems, but here is where it began with the first weekly compilation of the daily uploads: DITA 1

Art credits and links are by each photo. All photos: Dave Stuart

Diggin In The Archives Part 6

Is there light at the end of the tunnel? By the time you read this Boris should have made his “statement” to the nation and one suspects the tunnel will seem to be stretching much much longer. Activities do expand to fit the time available and blowing the dust off the photo archive is a good a rabbit hole as any to fall into, so here is this week’s selection of gems from the past.

You wouldn’t bat an eyelid at a snorkeler (snorkelist?) walking down the road with a lion on their shoulders in 2013, it was Shoreditch after all. Twisted surrealism from Dal East.

Dal East, 2013

ACE is full OG London, his comic and pop art influenced collage screen prints were pasted up all over Shoreditch from the beginning. They still appear although nothing close to the quantity he used to put out. One of my all time favourite paste up artists. And there’s Skewville , yet again, he keeps popping up in the archive photos. 2011.

ACE, 2011

In 2009 Graffoto founder HowAboutNo and I wandered Shoreditch and beyond on our lunchbreaks, chatting shit and shooting crap. Daytime street art creation was quite rare in those days and one lunch time we spied an artist in act of pasting up some big faces. He scarpered. Brummie Tempo33 told me a while later they had thought we were cops! Not many people wandered round in office garms photographing street art those days.

Tempo33, 2012

As I started to develop a little bit of an interest in street art I had a conceptual difficulty with stickers;,that fact that anyone could have put them up challenged their authenticity. Then I started to get my head around “Representation”.

It would be very easy to upload a photo of a stunning mural by D*Face, rightly they are appreciated worldwide but his stickers are in my humble opinion are way more significant to his street presence.

Liskbot’s hand finished stickers and paste ups go back a decade, still prolific!

The unknown sticker looks and feels like a corporate logo.

D*Face, Liskbot 2011

East London in 2011 was full of Malarky cartoons. Superficially they had the characteristics of children’s illustrations but close inspection revealed a real darkness. Often painted with compadres #Billy, Mr Penfold and Sweet Toof. These old Hanbury Street gates used to host art by great artists such as Donk , Stik, Saki and Bitches and Macay collab, Mau Mau and Alex Face collab and an Otto Schade “Creation Of Adam” masterpiece. And Curly 😉

Malarky, 2011

In the next pair, the elevated elevation behind the grey gantry is the old Shoreditch Tube Station, closed in 2006. The first picture is from October 2011 and features a Rowdy creature and a piece by fellow Burning Candy crewmate Horror. The second picture dates from July 2012. The difference is the Olympics buff. One of these pics cost me a gorgeous Colnago Road bike, stolen by some Tower Hamlets low life as I climbed up on the wall to get the pic

Rowdy, Horror 2011

The Olympics Buff, 2012

When its good, Street Art can be very “of the moment”. The flip side is that years later the context or relevance of a piece of art may be forgotten. This Teddy Baden multi layered stencil features Mandeville, one of two mascots for London’s 2012 Olympics. Mandeville was named after Stoke Mandeville Hospital, the world famous spinal injuries hospital that organised the first games festival for injured people, seen as a precursor to the Paralympics. The orange flash represented a London taxi hire light. Mandeville was much maligned in the press, there will always be some mirthless killjoy. He didn’t have a good feeling about Teddy’s feline either.

I enjoyed the privilege for many years of submitting a selection of street art photos to the VNA guys for their quarterly zine. The vast majority of them went unpublished, there were far better photos from far better photographers to chose from. This is one of the unchosen. . . .

Teddy Baden, 2012

I took the liberty of visit to Shoreditch on my bike this morning, first time in over 2 months. Very little had changed, street artists have been socially distancing from the walls. Notwithstanding whatever guff we get from Boris this evening I suspect there may well be more sucking from cess pit of my street art photos this week, catch them daily on my Instagram or facebook.

Check out the previous weekly compendiums: Part 1, Part 2, Part 3, Part 4 and Part 5

Art credits and links are by each photo. All photos: Dave Stuart

Diggin In The Archives Part 5

“We can’t throw away all our hard work so far” – every politician last week.

This is the 5th compendium of the daily scrapings of the digital archive, is it really only 5 weeks since we were ordered back to our bunkers?

Gold Peg was undisputed queen of the rooftop. She got up in pretty tense spots, happy to mark the environment with text or imagery, a rare example of someone with a foot in both the graffiti and street art camps and hugely regarded in both. Gold Peg’s art was always breathtaking and photogenic, this artist is a classic example of someone impossible to adequately represent in just a couple of images.

“Too many artists, not enuff anarchists!!!”, Goldpeg, Shroeditch, 2011

This railway bridge pic also features 10foot (naturally), Serva, aze, rakit and the legend that is TOX trackside.

Gold Peg et al, Paddington, 2010

Everywhere you went in Shoreditch in 2012, Usain Bolt’s eyes seemed to follow you. Painted by the genius JimmyC.

Usain Bolt by Jimmy C, 2012

That photo of JimmyC’s Usain Bolt has a van in the foreground which was obstructive, irrelevant and the photo is poorly composed. Every other photo I took of that mural has a superb Dan Kitchener mural below the JimmyC. Both paintings were brilliant, each distracted from the other in a kind of unfortunate way. Dank’s refined and distinctive geisha girls and his drippy Bladerunneressque neon night scenes are rightly revered these days though if you go back more than a decade he had a quite variety of quite different styles. Dank’s mural under the JimmyC was one of a number of brilliant trackside images he painted in 2010, the next image was painted on the Village Underground wall in that same style.

Dan Kitchener, 2010

Remember your parents nagging you to stop staring at the pavement? If you listened to them you’d have missed Pablo Delgado‘s miniature paste ups with painted shadows. Over several years he pursued increasingly surreal themes, Pimps ‘n Hos in Shoreditch was one of his early sets. Yes, that’s Skewville and Banksy hangin’ with the pimps as well.

Pablo Delgado, 2011

In August 2011 Pure Evil had a show at XOYO debuting this pop art eye candy, the first sighting of the Nightmare series. October 2011 I think, this was one of the first specimens to appear on the street. And so it continues, the Nightmares pour out of the Pure Evil creative engine

Also in shot is a beautiful Swoon paste up. A couple of Swoon pasteups in this alleyway in Shoreditch lasted quite a long time, like more than a year. Partially visible is a pasteup from Mr. Farenheit and yet again a Skewville stencil muscles into the frame.

Pure evil, Swoon also Skewville, Mr Farenheit 2011

Mobstr does a line in knowing and occasionally provocative text based stencils. You could read this as street artists with easy, low risk placement are challenged by Mobstr to get a bit higher and a bit riskier. Or maybe you see Mobstr proposing a photogenic “loadsa-likes” placement spot; or we can even see a commentary on street art as a tool of gentrification doing the developer’s bidding. All interpretations equally valid, feel free to make up your own.

As an aside, in 2011 Brick Lane was named London’s Curry Capital which is about as obvious as declaring Pall Mall the capital of palaces. The Banglatown banner with its photo of the later discredited Tower Hamlets crooked Mayor Lutfer Rahmen appeared illegally over Roa’s famous crane on nearby Heneage St to the outrage of local residents and business who forced the council to have the banner removed within 2 weeks.

Text stencil byMobster, also featuring Kata, Unga, Andalltha and The Misfits

France is blessed with superb stencillists, Jana and JS have done Shoreditch a few times and when they do Shoreditch, they leave the place seriously more beautiful. This example is slightly unusual in being a stencil on paper rather than stencilled in situ on the wall.

Jana & JS, Brick Lane, 2012

Anyone finished Instagram yet? Check out the previous weekly compendiums: Part 1, Part 2, Part 3 and Part 4.

Art credits and links are by each photo. All photos: Dave Stuart

Diggin In The Archives 4

Diggin into the archives bring back lots of mostly good memories but some of these artists have done so much brilliant street art that picking just one or two highlights is cruelly dismissive of their street opus. Another week of suspended animation has rolled past so here we go with the 4th collection of flashbacks trawled up from a long forgotten sector of the hard drive.

Anthony Lister did quite a number of stunning superheroes and faces over a number of years and a number of visits. It was quite easy to miss that Lister was parodying the Banksy in Cargo with this piece. Responding to the Banksy piece Lister declares himself over stencils and certainly now with the advent of muralism and greater tolerance of street art the old fashioned single layer stencil is nothing like as common as in the old days.

Lister, 2012

Industrial revolution superhighway meets imaginative Sweet Toof vandalism. Although not terribly far away, the location was quite different to the usual Shoreditch street art beat. Bonus image at the top of the page is Sweet Toof, Cyclops and Rowdy Burning Candy crewmates collaborating in Shoreditch in 2008.

Sweet Toof, Regents Canal, 2010

Louis Masai has done a phenomenal number of projects and art campaigning in support of species preservation and the environment generally. These two are the earliest Masai artworks I found on the streets, dating from late 2011. This blast from the past surfaced on the annual Earth Day last week. One planet, one love, one chance.

Masai featuring False

Masai

One of my lockdown distractions has been reading JR’s “Can Art Change The World”. The first time I came across his Inside Out project was this large mugshot on Redchurch St in 2011. The idea was that you sent JR a photo, he would print it and send it back to you and you had to paste it up on the wall. You may have had to send a photo of it in situ back to him. The self imortalising person in the photo is Ross T. The juxtaposition of Ross’ #insideout portrait with Ron English’s speech bubble was too good to be mere coincidence. Rock The Mouse was a shutter relic from a 2009 Mickey Mouse by Yan77 from Chrome and Black shop which used to be across the road.

Ross T in JR’s Inside Out, 2011

There are many artists whose style, ability and creativity have evolved dramatically over the years such as Airborne Mark, or The Pilot as he was known back in 2009. The first photo comes from a hoarding under the Westway where Garfield Hackett and Mutoid Waste staged One Foot In The Grove in 2009. Looking back through my archives One Foot In The Grove was a stunning event, I pass that location on the tube every time I go to QPR and never fail to peep into the space under the flyover and think of that show.

The Pilot, Acklam Rd, 2009

Airborne Mark was an OG mid 80s graffiti writer, this specimen of his graff was in Leake St back in 2008.

The Pilot, 2008As a reminder of how far Airborne Mark has come, here’s a gorgeous specimen of his origami folds painting style today.

Airborne Mark, Shoreditch, 2019

Sometimes it’s about the beauty, the drama or the politics of the street art; sometimes it’s about being in the right spot at the right moment. Monsieur Qui has visited Shoreditch a few times, leaving just a few tantalising illustrations to hunt down each. Love the art, love the bird nesting in the passerby’s topknot giving extravagant coiffure’s to both art and life.

Monsieur Qui, 2011

Saki and Bitches’ voluptuous temptresses appeared in some pretty eyecatching spots. Given Saki’s home country is Japan, the influence of Japanese art and use of Japanese subjects in Saki’s work, the appearance of “Tokyo Rising” alongside this Saki’s sturdy study of feminine charm was pure chance. Saki held down this elevated high street spot for several years.

Saki and Bitches, 2011

I’ll try to make time for daily blasts from the past this week but making no promises ok. Check out the previous weekly compendiums: Part 1, Part 2 and Part 3 .

Art credits and links are by each photo. All photos: Dave Stuart

Diggin In The Archives 3

Four weeks of Lockdown now, most sensible countries have extended their lockdown period for a few more weeks but don’t worry, the archive isn’t going to be running on fumes any time soon. This is a compendium of seven daily uploads to my instagram from the photography archive. The featured above was by Best Ever in 2014, more from Best Ever below.

The relationship between impact and size is not at all clear in street art. Isaac Cordal‘s forlorn concrete figures were found in nooks and cranies in London over several years from 2010. Spotting them was difficult, how the artist installed them at their illegal elevated perches was inspiring. A few survive to this day.

Issac Cordal, 2010

As a great fan of stickers it is a bit remiss not to have looked back at some great stickers of times past. PS, or “Public Spirit” was an amazing sticker artist, the examples here date from 2010 and 2011. PS was comfortable with a range of styles from fantasy illustration to op art via pure abstract geometeric but always in a very distinctive teardrop style. The first sticker in this series has a little clue how to look for the initials PS embedded in the swirling shape of the art – other than the purely symmetrical ones (so far as I can see anyway).

At least one PS sticker dating from that period survives in Shoreditch.

Fake stencil! Fake Street artist K-Guy! Fake photo from 2017! K-Guy has Total Authority!.

K-Guy, 2017

Burning Candy represented by Cept, Sweet Toof, Tek 33 and DScreet had the first spot on lockdown for many years. The Garage owner received a council enforcement notice demanding the piece be buffed but flatly refused. Garage now rolled over by development.

Cept, Sweet Toof, Tek 33 and Dscreet 2010

Burning Candy at its largest grew to 9 members, the second photo features two of London’s hottest #rooftop kings of that time, MightyMo and Goldpeg

Mighty Mo, Goldpeg, 2010

Otto Schade painted very intricate musing on human emotions using a stencil technique, symbolically connecting the emotions and the nervous system to external stimuli. This was one of his earliest ribbon paintings on the street, the owners buffed this very shortly after Otto finished it.

Otto Schade, 2010

Stewy Stencils populated Shoreditch and Norf London with a menagerie of animals, reaching a zenith with the size of this horse. The horse appears to be tethered and getting fed, not sure if that was Stewy or a clever augmentation by someone else. Either way its great when there is a little more to the stencil than just a spot where there was no cctv. Then virgin wall, now a hotel stands on the property opposite the Pure Evil Gallery. A version of this horse closer to Brick Lane was brilliantly augmented by Saki, might have to dig that pic out later but let’s hope we aren’t in Lockdown that long.